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Produced by Ken Fuller, Wayne Hall and Jeffrey Crecelius
We are finally back with part 2 of our look at the Buggles and why Yes might have wanted them. For this, we’ve been listening to the first album from the duo, The Age Of Plastic, seeing if we can pick up some pointers. As usual, it was a revealing and enjoyable experience and quite topical as Trevor Horn’s autobiography is being advertised across all of my social media at the moment. Let us know what you think of our views in the show notes for this week.
- Does the album sound dated in 2022?
- Is there more to it than just Video Killed The Radio Star?
- Is it obvious why Yes wanted Downes and Horn to join them?
Take a listen to the episode and then let us know what you think below!
Facebook has just changed how pages work which means that I’ve had to establish a new place for us to post and discuss Yes-related happenings. It’s a new group entitled, rather creatively, YMP Discussion Group. For the moment it’s open to anyone to join but I’ll be adding rules and joining requirements when I have time. One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.
If you haven’t already done so, please sign up at tormatobook.com to the email newsletter. I’ve already shared 3 updates on the progress of the forthcoming book, TOO CLOSE TO THE EDGE? (not the final title) complete with short extracts from some of the chapters. If you sign up now, for free, you can have access to the newsletters you’ve missed. It really helps to know people are looking forward to reading the culmination of my decades of Tormato obsession.
- Ken Fuller
- Jeffrey Crecelius and
- Wayne Hall
|Mark James Lang|
|Mark ‘Zarkol’ Baggs|
|Guy R DeRome|
|Hogne Bø Pettersen|
|Declan Logue||Steve Scott|
|Alan Begg||Terence Sadler|
Robert and David
If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything:
The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org