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Episodes

YesKit Part 4 – Jon Anderson Edition – 697

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius

The Dark Days Of Yesterday – Projekt Gemineye – the new album by our own Mark Anthony K!

Mark says: “This is the 10th studio album! Wow…if you would have told me that id release 10 albums..I’m not sure if I would believe it.
This is a rather personal album for me….lyrically speaking. Its talks about some of the darker times in my life….i dont get too specific about things..not only because they are difficult memories…but also so that they can be relatable other people as well.
Musically and production wise.. I’m very pleased with it and i hope you enjoy it as well.”

https://projektgemineye.bandcamp.com/album/the-dark-days-of-yesterday


From a tiny idea I had about Jon Anderson’s use of instruments live with Yes, Mark and I managed to bang on for ages again this week. Hopefully, you will find the discussion as interesting as we did, particularly as I noticed some definite links between the band’s sonic changes over the decades, Jon’s development as a musician and the instruments he used.

In order to create some kind of helpful structure to the conversation, I managed to find the earliest examples of each kind of instrument Jon uses live in the photos on the amazing Forgotten Yesterdays website and I have embedded them into the show notes here – do take a look at those and add a comment if you can think of any other Yeskit Jon used live with the band – or add a comment even if you can’t.

  • What are all the instruments Jon used live with Yes?
  • When did he start playing tuned instruments?
  • What can we glean about the band amd about Jon from his choice of instruments?

See if you agree with us and then leave a comment below.

All images from the wonderful Forgotten Yesterdays website:


Barry Plummer 2026 Calendar is now available!

ORDER HERE

YMP Listener discount code – KVKBKC8Z

Enrich your Prog year with iconic images of Yes in the 1970s, taken by the legendary rock photographer, Barry Plummer.

Enjoy 12 beautiful colour and black and white photographs of Yes in the studio and live, capturing the essence of the world’s greatest progressive rock band. With this limited-edition calendar on your wall throughout 2026, you’ll agree that Barry Plummer is, indeed, the Master of Images!

(A flat shipping fee will be added at checkout depending on your location.)

ORDER HERE


Yes – The Tormato Story & Tales from Topographic Oceans – Yes Album Listening Guide

Available now!

YesMusicBooks.com

YMP Patrons:

Producers:

  • Joseph Cottrell
  • Wayne Hall
  • Ken Fuller
  • Jeffrey Crecelius

Patrons:

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Categories
Episodes

Yes (sort-of) Unplugged – 696

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius

As you will hear, I was looking at one of the amazing photos in the Barry Plummer Calendar (available now from YesMusicBooks.com) recently, when I noticed something peculiar about Chris Squire. I think what Barry has captured is a unique moment in Yes concert history. I don’t think Chris ever did this in any other situation than the shows on the 1975 Relayer tour – and maybe not all of those performances. I have watched the QPR video many times but I hadn’t realised exactly what was going on until I saw this photo and then re-watched the QPR performance.

After watching that QPR version, Mark and I also took a careful look at a much later version, from the Yes Acoustic video. It’s very different.

I’ve included a heavily watermarked version of the Squire photo below but if you want to enjoy the full-quality version, you know what to do. Order the calendar now while there’s still time to receive it before the New Year.

So, what do you think I’m on about? Stay tuned for the full rabbit hole exploration with Mark.

  • What’s unique about the QPR live situation?
  • What is that guitar?
  • Which is the ‘better’ version?

See if you agree with us and then leave a comment below.


Barry Plummer 2026 Calendar is now available!

ORDER HERE

YMP Listener discount code – KVKBKC8Z

Enrich your Prog year with iconic images of Yes in the 1970s, taken by the legendary rock photographer, Barry Plummer.

Enjoy 12 beautiful colour and black and white photographs of Yes in the studio and live, capturing the essence of the world’s greatest progressive rock band. With this limited-edition calendar on your wall throughout 2026, you’ll agree that Barry Plummer is, indeed, the Master of Images!

(A flat shipping fee will be added at checkout depending on your location.)

ORDER HERE


Yes – The Tormato Story & Tales from Topographic Oceans – Yes Album Listening Guide

Available now!

YesMusicBooks.com

YMP Patrons:

Producers:

  • Joseph Cottrell
  • Wayne Hall
  • Ken Fuller
  • Jeffrey Crecelius

Patrons:

Become a Patron!
Categories
Episodes

Deep Cuts outside Yes – 687

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius

Mark and I spent some time this week searching through both our memory banks and our shelves of Yes related records. We wanted to uncover and promote some lesser-known deep cuts on albums that Yes men have been involved with outside the main group.

We each came up with 3 songs you may not have heard or you may have forgotten about. We hope you enjoy revisiting them or discovering a little more of the breadth and depth of what Yes musicians have been involved with over the decades.

Of course, we would be delighted to have your own suggestions of what other deep cuts we can all benefit from hearing – leave your suggestions on the show notes for this week’s episode below.

  • What are your favourite solo deep cuts?
  • What do Mark and Kevin choose?
  • Do you know all these songs already?

Steve Nardelli on the YMP

The Syn biography on Prog Archives

Details of the Chagall Project on Henry Potts’ website


Yes – The Tormato Story & Tales from Topographic Oceans – Yes Album Listening Guide

Available now!

YesMusicBooks.com


YMP Patrons:

Producers:

  • Joseph Cottrell
  • Wayne Hall
  • Ken Fuller
  • Jeffrey Crecelius

Patrons:

Become a Patron!
Categories
Episodes

Fragile Solo Songs Revisited – 683

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius

This week, Mark and I discussed the ‘solo’ songs on Fragile. Each band member contributed an individual project, some with more success than others. The style and approaches used by Anderson, Bruford, Wakeman, Howe and Squire are very different and they certainly prompted an interesting discussion as you’ll hear.

Drama and Fragile Live!
Drama and Fragile Live!

With Yes soon to embark on playing the whole of Fragile live for the third time, we also touched on how these songs come over live – and if it’s even a good idea to include them alongside the 4 ‘proper’ songs.

  • Which of the solo songs is the best?
  • How do they differ in approach?
  • Should they be played live?

Yes – The Tormato Story & Tales from Topographic Oceans – Yes Album Listening Guide

Available now!

YesMusicBooks.com


YMP Patrons:

Producers:

  • Joseph Cottrell
  • Wayne Hall
  • Ken Fuller
  • Jeffrey Crecelius

Patrons:

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Categories
Episodes

Yes live in Birmingham PLUS new Jon Anderson and the Band Geeks music – 631

Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller

I’ve had no time to put together any news this week but I still managed to speak at length to Mark about both my experiences seeing Yes at Birmingham Symphony Hall. It was a wonderful experience and not just because of the quality of the concert itself.

We’ve also enjoyed listening to the new music from Jon Anderson and the Band Geeks that fans have captured from live concerts and posted on YouTube. There are many reasons to be excited in Yesworld at the moment.

  • How was the performance at Birmingham?
  • What is the venue like?
  • How was Roger Dean?

Let us know if you agree with us!

My Brum experience:
NO BARRIERS 2024

There are only 100 of these packs available, so buy yours now! (Opens in a new window)


Check out the progress on my other podcast – https://anthem52.com/

Yes – The Tormato Story

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Theme music

The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org