Enrich your Prog year with iconic images of Yes in the 1970s, taken by the legendary rock photographer, Barry Plummer.
Enjoy 12 beautiful colour and black and white photographs of Yes in the studio and live, capturing the essence of the world’s greatest progressive rock band. With this limited-edition calendar on your wall throughout 2026, you’ll agree that Barry Plummer is, indeed, the Master of Images!
(A flat shipping fee will be added at checkout depending on your location.)
Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius
As you will hear, I was looking at one of the amazing photos in the Barry Plummer Calendar (available now from YesMusicBooks.com) recently, when I noticed something peculiar about Chris Squire. I think what Barry has captured is a unique moment in Yes concert history. I don’t think Chris ever did this in any other situation than the shows on the 1975 Relayer tour – and maybe not all of those performances. I have watched the QPR video many times but I hadn’t realised exactly what was going on until I saw this photo and then re-watched the QPR performance.
After watching that QPR version, Mark and I also took a careful look at a much later version, from the Yes Acoustic video. It’s very different.
I’ve included a heavily watermarked version of the Squire photo below but if you want to enjoy the full-quality version, you know what to do. Order the calendar now while there’s still time to receive it before the New Year.
So, what do you think I’m on about? Stay tuned for the full rabbit hole exploration with Mark.
What’s unique about the QPR live situation?
What is that guitar?
Which is the ‘better’ version?
See if you agree with us and then leave a comment below.
Enrich your Prog year with iconic images of Yes in the 1970s, taken by the legendary rock photographer, Barry Plummer.
Enjoy 12 beautiful colour and black and white photographs of Yes in the studio and live, capturing the essence of the world’s greatest progressive rock band. With this limited-edition calendar on your wall throughout 2026, you’ll agree that Barry Plummer is, indeed, the Master of Images!
(A flat shipping fee will be added at checkout depending on your location.)
Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius
In last week’s episode about Chris Squire’s Star Licks video, I was intrigued to notice that Trevor Rabin had also produced one and I had never watched it. Now that we are blessed with YouTube and the efforts of dedicated fans like, in this case, @YesSource, we can all enjoy watching Trevor in all his 1992 glory as he discusses not only his guitars but also his technique, studio practices, soloing approaches, songwriting and lots more. It’s almost an hour of Yes goodness and Mark and I very much enjoyed watching and discussing this week, as you’ll hear.
Once again, as you can imagine, we get deep into the weeds, particularly as Mark is an expert on studio kit and instruments and I’m, well, I’m along for the ride at least. I did, however learn a great deal I didn’t know about the great Mr. Rabin’s musicianship and kit, which is nice.
You’ll find the video we talk about below.
What secrets does Trevor share?
What kit does he show off?
What do we learn about Yes music from this video?
See if you agree with us and then leave a comment below.
Enrich your Prog year with iconic images of Yes in the 1970s, taken by the legendary rock photographer, Barry Plummer.
Enjoy 12 beautiful colour and black and white photographs of Yes in the studio and live, capturing the essence of the world’s greatest progressive rock band. With this limited-edition calendar on your wall throughout 2026, you’ll agree that Barry Plummer is, indeed, the Master of Images!
(A flat shipping fee will be added at checkout depending on your location.)
Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius
This week Mark and I took a careful look at the iconic Chris Squire Star Licks video from 1990. Chris is at his relaxed and chatty best and shows off his skills, his guitars and his pedal board. It’s a wonderful time capsule of Yes goodness and Mark and I hugely enjoyed chatting about our reactions to it. The conversation goes down a couple of unexpected routes and we venture, predictably, into the weeds of both kit and musical theory! I promise it’s not tedious though – how could it be with your two favourite podcast hosts in tandem?
You’ll find the videos we talk about below.
What secrets does Chris share?
What kit does he show off?
What do we learn about Yes music from his bass lines here?
See if you agree with us and then leave a comment below.
Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius
After the emergence online of another Drama Tour video – with sound – by James Ferrani on YouTube, Mark and I took a careful look at his 2 videos from consecutive days on the 1980 Drama Tour that featured Buggles men Trevor Horn and Geoff Downes. There are at least 2 revelations contained in the videos that I don’t believe any Yes fans except those who attended the concerts in North America have experienced in the intervening 45 years. I knew they had happened but seeing them is quite remarkable. Stay tuned for our discussion, watch the videos below and leave us a comment while you are here.
What are the unique aspects of these videos?
Was Chris Squire a bit ‘under the weather’?
Who looked more comfortable – Downes or Horn?
See if you agree with us and then leave a comment below.
Steve Howe Press Release
Fans will be happy to know that to follow up the release of ‘Portraits Of Bob Dylan’ on 12th September, Steve Howe will issue ‘Signals Crossed’, an E.P including three previously unreleased interpretations of Bob Dylan songs. It will feature ‘I Want You’, ‘One Too Many Mornings’ and ‘Mama, You`ve Been On My Mind’. It will include appearances by Geoff Downes, Dylan Howe, Stephanie Sounds and Paul K Joyce.
The EP will be available as a white vinyl 10” – one sided and mirror backed – limited to 500 copies worldwide. It will also be available as a download. It will be released on 5th December 2025. You can pre-order the vinyl here: https://lnk.to/joLdy9
Steve Howe:“I recorded ‘I Want You’ before starting the released ‘Portraits Of Bob Dylan’ tracks, then I recorded two alternative versions of songs from the album in different styles. This version of ‘One Too Many Mornings’ wasn’t in the right key for Phoebe Snow, who sang beautifully to an acoustic version on the released album. This version gives it an electric setting, taking a little from Bob’s ‘Hard Rain’ version. I sang ‘Mama, You’ve Been On My Mind’ on the original release, slow and a little mournful but here has a more upbeat and optimistic flavour. With the vocal harmonies and Dylan’s drumming, these tracks retain the mood of what I wanted to explore in 2000, songs about getting your Signals Crossed”
Track Listing:
1.I Want You
2.One Too Many Mornings
3.Mama, You’ve Been On My Mind.
Steve Howe:“What I loved about it was having the chance to arrange them as I wasn’t going to copy what Dylan had done; I wanted to bring a little bit more to it.”
Steve Howe: “The ‘Portraits’ idea was always a sort of pipe dream, and I originally recorded one song to start the project, and I thought, this will be good, I’ll do lots of Bob”