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Produced by Joseph Cottrell, Ken Fuller, Wayne Hall and Jeffrey Crecelius
Unless you have already read my book, Yes The Tormato Story, you may not recognise the name Derek Dearden. However, you have certainly heard the results of his amazing technical wizardry. This is another deep dive episode but it also contains much of interest to any Yes fan. Derek was a delight to speak to when Mark and I interviewed him a few months ago and I’ve been keeping this fascinating interview under wraps so that early readers of the book had a few surprises to discover. If you don’t like spoilers, then consider coming back to this episode at a later date. I won’t be offended.
Quite a bit of this conversation was used in the chapter entitled The Other Drums in my book but even if you have read that, I’m sure you’ll love hearing Derek explaining how it all came about in his own words. To whet your appetite, Derek was employed at Advision as a technician and then went on to found a company very closely associated with Alan White
- What did Derek Dearden create for Alan White?
- How did it all come about?
- What else did Derek invent?


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YMP Patrons:
Producers:
- Joseph Cottrell
- Ken Fuller
- Jeffrey Crecelius and
- Wayne Hall
Patrons:
Aaron Steelman | Dave Owen | Mark James Lang | Paul Tomei |
Joost Maglev | David Heyden | Paul Wilson | Martin Kjellberg |
Bob Martilotta | Lind | Michael O’Connor | William Hayes |
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Jim Morrison |
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Theme music
The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org