This week Mark and I were due to have a conversation with Jay Schellen about the forthcoming Yes tour of the UK and Europe. Unfortunately, this didn’t happen for reasons outside our control. We will be speaking to Jay on Monday instead so I’m afraid you’ll have to wait just a little bit longer for that.
In the meantime in this very short episode, I thought I’d mention some of the interesting things I have found out about the (relatively) new Yes drummer. See how many of these facts you knew and how many are new to you – most of them were new to me.
Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller
This week would have been Chris Squire’s 76th birthday. To celebrate his legacy, Mark and I chose 3 of our favourite Squire bass lines and also chatted about his signature sound and how he achieved it. Make sure you add your own selections to the comments on the show notes for this episode and let’s celebrate the legacy of the world’s greatest bassist together.
Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.
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Theme music
The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org
Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller
Mark and I had a fun time this week re-watching the ABWH Brother of Mine video and the new Mirror to the Sky one. Listen out for our thoughts in a few minutes’ time and see if you can count how many times I call the song Long Lost Brother of Mine by mistake. Also, do check out the show notes below before or during listening to Mark and me banging on because I’ve added lots of screenshots from the videos that we refer to in the conversation. You can also watch both videos as well without having to do that dreary web searching thing – it’s just one of the services we offer to listeners.
Are there any similarities between these two videos?
How are videos used to help promote songs, today and in 1989?
Are lyric videos any good?
Let us know if you agree with us!
Photo from the back of the Brother of Mine 7 inch single:
Screenshots from the Brother of Mine video:
Screenshots from the Mirror to the Sky video:
(Plus one from Astral Traveller and one from Brother of Mine)
Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.
If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything:
Theme music
The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org
Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller
After a short break, Mark and I are back to consider what Geoff Downes was doing before being asked to rejoin Yes for the recording of Fly From Here, released in 2011, shortly before the Yes Music Podcast was established. We have been listening to the John Wetton album, Raised in Captivity which includes many prog rock heroes so listen out for our thoughts on that and what, if anything, we learned about why Geoff was re-recruited.
Can we tell why Yes wanted Geoff Downes from this record?
What do all those guests add?
Is it a good record?
Let us know if you agree with us!
I received an amazing email this week – or was it last week I can’t remember – informing me that Yes The Tormato Story has been shortlisted for a Selfie Award. These are handed out for self-published books so I think it has a lot more to do with the work Izzie Lawrence (cover designer), Bob Carling (production management and typesetting) and Simon Barrow (all round legend who kept me on track) had to do with it than me. It’s also down to Mark, every Executive Producer, newsletter subscriber, pre-order-er, supporter, YMP listener, producer and patron and everyone else who had any role in its creation – see the full acknowledgements page in the book for more details. Anyway, I have to go to the London Book Fair in a couple of weeks’ time to see if the book wins in the general non fiction category so keep your fingers crossed, please.
Our (not really) new Facebook YMP Discussion Group is open to anyone to join but I’ll be adding rules and joining requirements when I have time (one day…). One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.
If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything:
Theme music
The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org
Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller
This week, Mark and I talked about the situation in Yes at the time Geoff Downes rejoined for Fly From Here – around 2010-11. It’s a contentious time – but then again when isn’t with Yes? Oliver Wakeman had to make way for the return of Downes who had worked very closely with Steve Howe in Asia for many years and, when Trevor Horn was brought in to produce the new album, perhaps the writing was on the wall for a Downes redux.
All was not well between certain other members of the band either…
Our (not really) new Facebook YMP Discussion Group is open to anyone to join but I’ll be adding rules and joining requirements when I have time (one day…). One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.
If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything:
Theme music
The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org