After a short break, Mark and I are back to consider what Geoff Downes was doing before being asked to rejoin Yes for the recording of Fly From Here, released in 2011, shortly before the Yes Music Podcast was established. We have been listening to the John Wetton album, Raised in Captivity which includes many prog rock heroes so listen out for our thoughts on that and what, if anything, we learned about why Geoff was re-recruited.
- Can we tell why Yes wanted Geoff Downes from this record?
- What do all those guests add?
- Is it a good record?
Let us know if you agree with us!
I received an amazing email this week – or was it last week I can’t remember – informing me that Yes The Tormato Story has been shortlisted for a Selfie Award. These are handed out for self-published books so I think it has a lot more to do with the work Izzie Lawrence (cover designer), Bob Carling (production management and typesetting) and Simon Barrow (all round legend who kept me on track) had to do with it than me. It’s also down to Mark, every Executive Producer, newsletter subscriber, pre-order-er, supporter, YMP listener, producer and patron and everyone else who had any role in its creation – see the full acknowledgements page in the book for more details. Anyway, I have to go to the London Book Fair in a couple of weeks’ time to see if the book wins in the general non fiction category so keep your fingers crossed, please.
Check out the progress on my other podcast – https://anthem52.com/
Yes – The Tormato Story
- Joseph Cottrell
- Ken Fuller
- Jeffrey Crecelius
|Mark James Lang
|Hogne Bø Pettersen
Our (not really) new Facebook YMP Discussion Group is open to anyone to join but I’ll be adding rules and joining requirements when I have time (one day…). One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.
If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything:
The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org