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Produced by Ken Fuller, Wayne Hall and Jeffrey Crecelius
This week, Mark and I give our impressions of the self-titled album by Refugee, featuring Patrick Moraz, in our attempt to see why Yes wanted him in the band in 1974. As you will hear, we both rather like it. Please do add your own comments to the show notes for this week’s episode and let us know if you agree or disagree.
- Is it obvious why Yes wanted Patrick Moraz from this album?
- What special abilities does he show here?
- Would he fit in?
Facebook has just changed how pages work which means that I’ve had to establish a new place for us to post and discuss Yes-related happenings. It’s a new group entitled, rather creatively, YMP Discussion Group. For the moment it’s open to anyone to join but I’ll be adding rules and joining requirements when I have time. One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.
If you haven’t already done so, please sign up at tormatobook.com to the email newsletter. I’ve already shared 3 updates on the progress of the forthcoming book, TOO CLOSE TO THE EDGE? complete with short extracts from some of the chapters. If you sign up now, for free, you can have access to the newsletters you’ve missed. It really helps to know people are looking forward to reading the culmination of my decades of Tormato obsession.
- What characteristics did Patrick have that Yes wanted?
- What was Moraz up to before joining Yes?
- Why didn’t they go for Vangelis?
Take a listen to the episode and then let us know what you think below!
YMP Patrons:
Producers:
- Ken Fuller
- Jeffrey Crecelius and
- Wayne Hall
Patrons:
| Aaron Steelman | Dave Owen |
| Mark James Lang | Paul Tomei |
| Joost Maglev | David Heyden |
| Martin Kjellberg | Paul Wilson |
| Bob Martilotta | Lind |
| Michael O’Connor | William Hayes |
| Brian Sullivan | David Pannell |
| Miguel Falcão | Lobate Scarp |
| Chris Bandini | David Watkinson |
| Neal Kaforey | Rachel Hadaway |
| Craig Estenes | Dem |
| Paul Hailes | Mark ‘Zarkol’ Baggs |
| Doug Curran | Robert Nasir |
| Fergus Cubbage | Scott Colombo |
| Fred Barringer | Gary Betts |
| Geoff Bailie | Simon Barrow |
| Geoffrey Mason | Stephen Lambe |
| Guy R DeRome | Steve Dill |
| Henrik Antonsson | Steve Perry |
| Hogne Bø Pettersen | Steve Rode |
| Declan Logue | Steve Scott |
| Jamie McQuinn | Steven Roehr |
| Alan Begg | Terence Sadler |
| Michael Handerhan | Tim Stannard |
| Jim | Todd Dudley |
| John Cowan | Tony Handley |
| John Holden | Joseph Cottrell |
| John Parry | Keith Hoisington |
| John Thomson | Barry Gorsky |
Robert and David
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Theme music
The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org
