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Episodes

Roosevelt 1976 Live – 733

Produced by Joseph Cottrell, Wayne Hall, Doug Curran and Jeffrey Crecelius

This week, Mark and I have been taking a somewhat forensic look at the newly-released Roosevelt Stadium Jersey City 17 June 1976 live set. We go rather deeply into the weeds around the quality, sources, presentation and packaging, all for your edification. Mark uncovers some surprising aspects of the (rather expensive) vinyl version of this release and we both enjoy the actual performances of the band which featured Patrick Moraz rather than Rick Wakeman at this time, during the Solo Albums Tour.

  • What does this recording sound like?
  • Where did it come from?
  • What are the troubling aspects of the vinyl version?

Yes – The Tormato Story & Tales from Topographic Oceans – Yes Album Listening Guide

Available now!

YesMusicBooks.com

YMP Patrons:

Producers:

  • Joseph Cottrell
  • Wayne Hall
  • Jeffrey Crecelius
  • Doug Curran

Patrons:

Become a Patron!
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Episodes

Yes (sort-of) Unplugged – 696

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius

As you will hear, I was looking at one of the amazing photos in the Barry Plummer Calendar (available now from YesMusicBooks.com) recently, when I noticed something peculiar about Chris Squire. I think what Barry has captured is a unique moment in Yes concert history. I don’t think Chris ever did this in any other situation than the shows on the 1975 Relayer tour – and maybe not all of those performances. I have watched the QPR video many times but I hadn’t realised exactly what was going on until I saw this photo and then re-watched the QPR performance.

After watching that QPR version, Mark and I also took a careful look at a much later version, from the Yes Acoustic video. It’s very different.

I’ve included a heavily watermarked version of the Squire photo below but if you want to enjoy the full-quality version, you know what to do. Order the calendar now while there’s still time to receive it before the New Year.

So, what do you think I’m on about? Stay tuned for the full rabbit hole exploration with Mark.

  • What’s unique about the QPR live situation?
  • What is that guitar?
  • Which is the ‘better’ version?

See if you agree with us and then leave a comment below.


Barry Plummer 2026 Calendar is now available!

ORDER HERE

YMP Listener discount code – KVKBKC8Z

Enrich your Prog year with iconic images of Yes in the 1970s, taken by the legendary rock photographer, Barry Plummer.

Enjoy 12 beautiful colour and black and white photographs of Yes in the studio and live, capturing the essence of the world’s greatest progressive rock band. With this limited-edition calendar on your wall throughout 2026, you’ll agree that Barry Plummer is, indeed, the Master of Images!

(A flat shipping fee will be added at checkout depending on your location.)

ORDER HERE


Yes – The Tormato Story & Tales from Topographic Oceans – Yes Album Listening Guide

Available now!

YesMusicBooks.com

YMP Patrons:

Producers:

  • Joseph Cottrell
  • Wayne Hall
  • Ken Fuller
  • Jeffrey Crecelius

Patrons:

Become a Patron!
Categories
Episodes

Deep Cuts outside Yes – 687

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius

Mark and I spent some time this week searching through both our memory banks and our shelves of Yes related records. We wanted to uncover and promote some lesser-known deep cuts on albums that Yes men have been involved with outside the main group.

We each came up with 3 songs you may not have heard or you may have forgotten about. We hope you enjoy revisiting them or discovering a little more of the breadth and depth of what Yes musicians have been involved with over the decades.

Of course, we would be delighted to have your own suggestions of what other deep cuts we can all benefit from hearing – leave your suggestions on the show notes for this week’s episode below.

  • What are your favourite solo deep cuts?
  • What do Mark and Kevin choose?
  • Do you know all these songs already?

Steve Nardelli on the YMP

The Syn biography on Prog Archives

Details of the Chagall Project on Henry Potts’ website


Yes – The Tormato Story & Tales from Topographic Oceans – Yes Album Listening Guide

Available now!

YesMusicBooks.com


YMP Patrons:

Producers:

  • Joseph Cottrell
  • Wayne Hall
  • Ken Fuller
  • Jeffrey Crecelius

Patrons:

Become a Patron!
Categories
Episodes YMP Classic Feed

Why did Yes want…Patrick Moraz? Part 2 – 550

Produced by Ken Fuller, Wayne Hall and Jeffrey Crecelius

This week, Mark and I give our impressions of the self-titled album by Refugee, featuring Patrick Moraz, in our attempt to see why Yes wanted him in the band in 1974. As you will hear, we both rather like it. Please do add your own comments to the show notes for this week’s episode and let us know if you agree or disagree.

  • Is it obvious why Yes wanted Patrick Moraz from this album?
  • What special abilities does he show here?
  • Would he fit in?
Patrick Moraz!

Facebook has just changed how pages work which means that I’ve had to establish a new place for us to post and discuss Yes-related happenings. It’s a new group entitled, rather creatively, YMP Discussion Group. For the moment it’s open to anyone to join but I’ll be adding rules and joining requirements when I have time. One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.


If you haven’t already done so, please sign up at tormatobook.com to the email newsletter. I’ve already shared 3 updates on the progress of the forthcoming book, TOO CLOSE TO THE EDGE? complete with short extracts from some of the chapters. If you sign up now, for free, you can have access to the newsletters you’ve missed. It really helps to know people are looking forward to reading the culmination of my decades of Tormato obsession.

Not final artwork – just me messing about with one of Jeremy North’s photos
  • What characteristics did Patrick have that Yes wanted?
  • What was Moraz up to before joining Yes?
  • Why didn’t they go for Vangelis?

Take a listen to the episode and then let us know what you think below!



YMP Patrons:

Producers:

  • Ken Fuller
  • Jeffrey Crecelius and
  • Wayne Hall

Patrons:

Aaron Steelman

Dave Owen

Mark James Lang

Paul Tomei

Joost Maglev

David Heyden

Martin Kjellberg

Paul Wilson

Bob Martilotta

Lind

Michael O’Connor

William Hayes
Brian Sullivan

David Pannell

Miguel Falcão

Lobate Scarp

Chris Bandini

David Watkinson

Neal Kaforey

Rachel Hadaway

Craig Estenes

Dem

Paul Hailes

Mark ‘Zarkol’ Baggs

Doug Curran

Robert Nasir

Fergus Cubbage

Scott Colombo

Fred Barringer

Gary Betts
Geoff Bailie

Simon Barrow
Geoffrey Mason

Stephen Lambe

Guy R DeRome

Steve Dill

Henrik Antonsson

Steve Perry

Hogne Bø Pettersen

Steve Rode

Declan Logue
Steve Scott
Jamie McQuinn

Steven Roehr

Alan Begg
Terence Sadler

Michael Handerhan

Tim Stannard

Jim

Todd Dudley

John Cowan

Tony Handley

John Holden

Joseph Cottrell

John Parry

Keith Hoisington

John Thomson

Barry Gorsky


Robert and David

Please follow/subscribe!

If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything:

Subscribe on Apple Podcasts
Subscribe on Google Podcasts

Theme music

The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

Categories
Episodes YMP Classic Feed

Why did Yes want…Patrick Moraz? Part 1 – 549

Produced by Ken Fuller, Wayne Hall and Jeffrey Crecelius

This week Mark and I consider why Yes wanted Swiss keyboardist Patrick Moraz to join them after the departure of Rick Wakeman. We discuss the bands which Moraz played in and the route he took to arrive with Yes which, as you might imagine, wasn’t straightforward! It eventually led to his band, Refugee so we will be spending next week listening to their self-titled album in order to give you our thoughts on that record. Sounds like it’s going to be fun.

Patrick Moraz!

If you haven’t already done so, please sign up at tormatobook.com to the email newsletter. I’ve already shared 3 updates on the progress of the forthcoming book, TOO CLOSE TO THE EDGE? complete with short extracts from some of the chapters. If you sign up now, for free, you can have access to the newsletters you’ve missed. It really helps to know people are looking forward to reading the culmination of my decades of Tormato obsession.

Not final artwork – just me messing about with one of Jeremy North’s photos
  • What characteristics did Patrick have that Yes wanted?
  • What was Moraz up to before joining Yes?
  • Why didn’t they go for Vangelis?

Take a listen to the episode and then let us know what you think below!



YMP Patrons:

Producers:

  • Ken Fuller
  • Jeffrey Crecelius and
  • Wayne Hall

Patrons:

Aaron Steelman

Dave Owen

Mark James Lang

Paul Tomei

Joost Maglev

David Heyden

Martin Kjellberg

Paul Wilson

Bob Martilotta

Lind

Michael O’Connor

William Hayes
Brian Sullivan

David Pannell

Miguel Falcão

Lobate Scarp

Chris Bandini

David Watkinson

Neal Kaforey

Rachel Hadaway

Craig Estenes

Dem

Paul Hailes

Mark ‘Zarkol’ Baggs

Doug Curran

Robert Nasir

Fergus Cubbage

Scott Colombo

Fred Barringer

Gary Betts
Geoff Bailie

Simon Barrow
Geoffrey Mason

Stephen Lambe

Guy R DeRome

Steve Dill

Henrik Antonsson

Steve Perry

Hogne Bø Pettersen

Steve Rode

Declan Logue
Steve Scott
Jamie McQuinn

Steven Roehr

Alan Begg
Terence Sadler

Michael Handerhan

Tim Stannard

Jim

Todd Dudley

John Cowan

Tony Handley

John Holden

Joseph Cottrell

John Parry

Keith Hoisington

John Thomson

Barry Gorsky


Robert and David

Please follow/subscribe!

If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything:

Subscribe on Apple Podcasts
Subscribe on Google Podcasts

Theme music

The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org