Produced by Jeffrey Crecelius, Wayne Hall, Preston Frazier and Bill Govier
We’re back with an in-depth review of Yes Featuring ARW’s live new album. There are several different audio and video versions and it looks and sounds great!
How does this collection sound and look?
Do we miss Howe?
Can we hear Lee Pomeroy’s bass?
Listen to the episode then let us know what you think!
As promised, here is the second of two short episodes during the time I’m off on holiday. I hope you enjoy re-listening to my Jon Anderson interview from September 2016, in the context of ARW today!
As promised, here is the first of two short episodes during the time I’m off on holiday. I hope you enjoy finding out a bit about ARW’s fist concerts of the new leg of their tour and also about Leonard Bernstein’s Yes connections! Thanks to Paul Raybould and Jeremy North!
href=”https://scontent-lga3-1.cdninstagram.com/vp/bc0192bb7a400f4e28cfd91c5573b628/5C03C290/t51.2885-15/e35/39086360_273719986786904_8323578536299945258_n.jpg”> Going for the One and Yesshows[/c
Produced by Jeffrey Crecelius, Wayne Hall, Preston Frazier and Bill Govier
After thinking about Patrick Moraz last week, this week we’ve turned our attention to what happened after he left the band. Rick Wakeman returned and Going for the One was created. We listened to the studio recordings and the live recordings of the three Going for the One songs on Yesshows and discussed what happened when Yes changed once again.
There’s also time for a two pence segment on the newly-release YouTube video of the first full song from Yes featuring ARW’s forthcoming release – Live at the Apollo.
Wakeman returns – how does it go?
Are we back to progressive rock rather then the jazz-fusion influenced Relayer?
How do the new songs sound live?
Listen to the episode then let us know what you think!
Produced by Jeffrey Crecelius, Wayne Hall, Preston Frazier and Bill Govier
With the ‘news’ that Patrick Moraz might be joining Yes live in 2019 to play the whole of Relayer, Mark and I discuss the possibilities and challenges this presents. We listen to/watch recordings from when Moraz was in the band playing the songs from Relayer and then have a chat about it all.
How could Moraz be integrated into the current Yes band?
What instrumentation is needed for Relayer?
Are the songs similar to other Yes music?
Listen to the episode then let us know what you think!
