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This week, Mark and I enjoyed listening to The Bodast Tapes featuring Steve Howe in the second part of our examination of what Steve did after leaving Yes following the Drama tour. We also had the pleasure of speaking to Danny Markovitch who plays saxophone in the progressive/fusion band Marbin who are returning for the second time to the Cruise to the Edge next month. He explains what his band is all about and how they developed their music from their roots in Israel to the US.
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- What’s the actual Bodast music like?
- Does Steve stick out?
- Is it worth listening to?
Listen to the episode and let us know what you think!
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Michael Handerhan’s photos:
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Producers:
- Jeffrey Crecelius
- Preston Frazier
- Bill Govier and
- Wayne Hall
Patrons:
| Aaron Steelman | Dave Owen |
| Mark James Lang | Paul Tomei |
| Joost Maglev | David Heyden |
| Martin Kjellberg | Paul Wilson |
| Bob Martilotta | Lind |
| Michael O’Connor | Peter Hearnden |
| Brian Sullivan | David Pannell |
| Miguel Falcão | Lobate Scarp |
| Chris Bandini | David Watkinson |
| Neal Kaforey | Rachel Hadaway |
| Craig Estenes | Dem |
| Paul Hailes | Mark ‘Zarkol’ Baggs |
| Doug Curran | Robert Nasir |
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| Fred Barringer | Scott Smith |
| Geoff Bailie | Simon Barrow |
| Geoffrey Mason | Stephen Lambe |
| Guy R DeRome | Steve Dill |
| Henrik Antonsson | Steve Perry |
| Hogne Bø Pettersen | Steve Rode |
| IanNB | Steve Scott |
| Jamie McQuinn | Steven Roehr |
| Ken Fuller | Terence Sadler |
| Michael Handerhan | Tim Stannard |
| Jim | Todd Dudley |
| John Cowan | Tony Handley |
| John Holden | Joseph Cottrell |
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| John Thomson | William Hayes |
| Barry Gorsky |
Robert and David
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Theme music
The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from the following two creative commons sources: thanvannispen and archive.org
4 replies on “What did they do next – part 10b – Steve Howe PLUS interview with Danny from prog/fusion group Marbin – 422”
Interesting conversation about Bodast. I was surprised to enjoy the music more than I thought I would. Of course, I noted, as did you, that the opening of Nether Street uses the chord progression that went on to become Wurm. What you did not notice (unless I missed your comments) was the tiny snippet that would later be found in Close to the Edge. Listen to the track, Black Leather Gloves, at around the 1:50 mark and tell me you don’t recognize that… I am listening to the album on Spotify. Perhaps your version was different.
I was surprised how much I enjoyed Bodcast – If looked at in a different way , you could almost do a after ‘What they did next’? to ‘What did they do before”? ie before they joined YES
Kevin and Mark those were great shows about Bodast. I was amazed by the conversations. A lot of dots connected with how all of these different musicians, producers, and others have crossed paths with each other over the years. You two guys are like an endless Tor of facts and trivia about Yes and music in general!
Hi Michael,
Thank you so much for your kind words. This podcast for me, and I’m sure Kevin as well, is something I enjoy doing very much…so the research is fun to do and I learn quite a lot myself. The great thing with a band that has so many former members is that there is a lot of extra material to check out.
Thanks again for your support.
Mark Anthony K