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This week, Mark and I enjoyed listening to The Bodast Tapes featuring Steve Howe in the second part of our examination of what Steve did after leaving Yes following the Drama tour. We also had the pleasure of speaking to Danny Markovitch who plays saxophone in the progressive/fusion band Marbin who are returning for the second time to the Cruise to the Edge next month. He explains what his band is all about and how they developed their music from their roots in Israel to the US.
If you are a YMP Producer or Patron you should already know what the top secret project is which we have kicked off in March. Everyone else will just have to wait and see – or become a Patron themselves of course – you are most welcome to join us.
- What’s the actual Bodast music like?
- Does Steve stick out?
- Is it worth listening to?
Listen to the episode and let us know what you think!
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Become a Patron!Show notes and links:
Michael Handerhan’s photos:
YMP Patrons:
Producers:
- Jeffrey Crecelius
- Preston Frazier
- Bill Govier and
- Wayne Hall
Patrons:
Aaron Steelman | Dave Owen |
Mark James Lang | Paul Tomei |
Joost Maglev | David Heyden |
Martin Kjellberg | Paul Wilson |
Bob Martilotta | Lind |
Michael O’Connor | Peter Hearnden |
Brian Sullivan | David Pannell |
Miguel Falcão | Lobate Scarp |
Chris Bandini | David Watkinson |
Neal Kaforey | Rachel Hadaway |
Craig Estenes | Dem |
Paul Hailes | Mark ‘Zarkol’ Baggs |
Doug Curran | Robert Nasir |
Fergus Cubbage | Scott Colombo |
Fred Barringer | Scott Smith |
Geoff Bailie | Simon Barrow |
Geoffrey Mason | Stephen Lambe |
Guy R DeRome | Steve Dill |
Henrik Antonsson | Steve Perry |
Hogne Bø Pettersen | Steve Rode |
IanNB | Steve Scott |
Jamie McQuinn | Steven Roehr |
Ken Fuller | Terence Sadler |
Michael Handerhan | Tim Stannard |
Jim | Todd Dudley |
John Cowan | Tony Handley |
John Holden | Joseph Cottrell |
John Parry | Keith Hoisington |
John Thomson | William Hayes |
Barry Gorsky |
Robert and David
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Theme music
The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from the following two creative commons sources: thanvannispen and archive.org