Produced by Joseph Cottrell, Ken Fuller, Wayne Hall and Jeffrey Crecelius
Jon Anderson’s conceptual epic, Olias of Sunhillow, is under the microscope this week.
- Does this album live up to its amazing reputation?
- How does Jon Anderson get on playing all the instruments?
- Does Olias feel like a complete work or a bit bolted together?
Mark’s and Kevin’s copies of Olias of Sunhillow:
- Joseph Cottrell
- Ken Fuller
- Jeffrey Crecelius and
- Wayne Hall
|Mark James Lang||Paul Tomei|
|Paul Wilson||Martin Kjellberg|
|Bob Martilotta||Lind||Michael O’Connor||William Hayes|
|Lobate Scarp||Miguel Falcão|
|Neal Kaforey||Rachel Hadaway|
|Craig Estenes||Dem||Mark ‘Zarkol’ Baggs||Paul Hailes|
|Fergus Cubbage||Scott Colombo|
|Fred Barringer||David||Geoff Bailie||Simon Barrow|
|Stephen Lambe||Guy R DeRome||Steve Dill|
|Henrik Antonsson||Steve Perry|
|Hogne Bø Pettersen||Steve Rode|
|Declan Logue||Steve Scott||Todd Dudley||Jim|
|John Parry||Keith Hoisington|
|Alan Begg||Terence Sadler||John Holden||Barry Gorsky|
|Michael Handerhan||Tim Stannard|
|Jon Pickles||John Thomson|
|John Cowan||Tony Handley||Robert||Gary Betts|
Facebook has just changed how pages work which means that I’ve had to establish a new place for us to post and discuss Yes-related happenings. It’s a new group entitled, rather creatively, YMP Discussion Group. For the moment it’s open to anyone to join but I’ll be adding rules and joining requirements when I have time. One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.
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The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org