Categories
Episodes

How does staging affect Yes music? – 586

Produced by Joseph Cottrell, Ken Fuller, Wayne Hall and Jeffrey Crecelius

This week Mark and I talk about various different approaches Yes have had to their stage design over the decades. This was partly prompted by the rumour that the band are intending to change they way in which they set up from 2024 onwards.

Do let us know what Yes stage setups have been your favourites and why in the show notes for this week’s episode.

  • What is your favourite Yes stage setup?
  • Do you like 3D sets?
  • Are the current video walls a good idea?

Let us know if you agree with us!

The ‘revolutionary’ revolving stage – photo by Jeremy North

A selection of Forgotten-Yesterdays.com live photos:

1973 | 1974 | 1975 | 1976 | 1977 | 1978 | 1980 | 1984 | 1991 | 2003 | 2019 |


Available now!

TormatoBook.com

YMP Patrons:

Producers:

  • Joseph Cottrell
  • Ken Fuller
  • Jeffrey Crecelius and
  • Wayne Hall

Patrons:

Aaron Steelman

Dave Owen

Mark James LangPaul Tomei
Joost Maglev

David Heyden

Paul WilsonMartin Kjellberg
Bob MartilottaLindMichael O’ConnorWilliam Hayes
Brian Sullivan

David Pannell

Lobate ScarpMiguel Falcão
Chris Bandini

David Watkinson

Neal KaforeyRachel Hadaway
Craig EstenesDemMark ‘Zarkol’ BaggsPaul Hailes
Doug Curran

Robert Nasir

Fergus CubbageScott Colombo
Fred BarringerDavidGeoff BailieSimon Barrow
Geoffrey Mason

Stephen LambeGuy R DeRomeSteve Dill
Henrik AntonssonSteve Perry

Hogne Bø PettersenSteve Rode
Declan LogueSteve ScottTodd DudleyJim
Jamie McQuinn

Steven Roehr

John ParryKeith Hoisington
Alan BeggTerence SadlerJohn HoldenBarry Gorsky
Michael HanderhanTim Stannard

Jon PicklesJohn Thomson
John CowanTony HandleyRobertGary Betts
Jim Morrison

Our (not really) new Facebook YMP Discussion Group is open to anyone to join but I’ll be adding rules and joining requirements when I have time (one day…). One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.

https://www.facebook.com/groups/3216603008606331/

https://www.patreon.com/platform/iframe?widget=become-patron-button&redirectURI=https%3A%2F%2Fyesmusicpodcast.com%2Ftechnological-musical-magician-derek-dearden-585%2F&creatorID=3112762


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If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything:

Subscribe on Apple Podcasts
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Theme music

The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

Categories
Episodes

Technological Musical Magician, Derek Dearden – 585

Produced by Joseph Cottrell, Ken Fuller, Wayne Hall and Jeffrey Crecelius

Unless you have already read my book, Yes The Tormato Story, you may not recognise the name Derek Dearden. However, you have certainly heard the results of his amazing technical wizardry. This is another deep dive episode but it also contains much of interest to any Yes fan. Derek was a delight to speak to when Mark and I interviewed him a few months ago and I’ve been keeping this fascinating interview under wraps so that early readers of the book had a few surprises to discover. If you don’t like spoilers, then consider coming back to this episode at a later date. I won’t be offended.

Quite a bit of this conversation was used in the chapter entitled The Other Drums in my book but even if you have read that, I’m sure you’ll love hearing Derek explaining how it all came about in his own words. To whet your appetite, Derek was employed at Advision as a technician and then went on to found a company very closely associated with Alan White

  • What did Derek Dearden create for Alan White?
  • How did it all come about?
  • What else did Derek invent?
The chapter in Yes – The Tormato Story about Derek

Available now!

TormatoBook.com

YMP Patrons:

Producers:

  • Joseph Cottrell
  • Ken Fuller
  • Jeffrey Crecelius and
  • Wayne Hall

Patrons:

Aaron Steelman

Dave Owen

Mark James Lang
Paul Tomei
Joost Maglev

David Heyden

Paul Wilson
Martin Kjellberg
Bob Martilotta
Lind
Michael O’Connor
William Hayes
Brian Sullivan

David Pannell

Lobate Scarp
Miguel Falcão
Chris Bandini

David Watkinson

Neal Kaforey
Rachel Hadaway
Craig Estenes
Dem
Mark ‘Zarkol’ Baggs
Paul Hailes
Doug Curran

Robert Nasir

Fergus Cubbage
Scott Colombo
Fred Barringer
David
Geoff Bailie
Simon Barrow
Geoffrey Mason

Stephen Lambe
Guy R DeRome
Steve Dill
Henrik Antonsson
Steve Perry

Hogne Bø Pettersen
Steve Rode
Declan Logue
Steve Scott
Todd Dudley
Jim
Jamie McQuinn

Steven Roehr

John Parry
Keith Hoisington
Alan Begg
Terence Sadler
John Holden
Barry Gorsky
Michael Handerhan
Tim Stannard

Jon Pickles
John Thomson
John Cowan
Tony Handley
Robert
Gary Betts
Jim Morrison

Our (not really) new Facebook YMP Discussion Group is open to anyone to join but I’ll be adding rules and joining requirements when I have time (one day…). One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.

https://www.facebook.com/groups/3216603008606331/




Please follow/subscribe!

If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything:

Subscribe on Apple Podcasts
Subscribe on Google Podcasts

Theme music

The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org