Podcast: Play in new window | Download
Subscribe: Apple Podcasts | Spotify | RSS
Produced by Jeffrey Crecelius, Wayne Hall, Preston Frazier and Bill Govier
Mark and I are back this week to a more normal episode where we listen to the new Yes live album and give our views on it. YES50 Live was recorded during the historic YES50 tour and features guest keyboardists Tony Kaye and Patrick Moraz.
Listen and let us know what you think!
- What ?
If you would like to support the Yes Music Podcast financially and also have access to exclusive activity and opportunities, there is a special page you can use to sign up and 2019 is the time to join us:
Become a Patron!
Show notes and links:
Two Rap fans listen to Roundabout:
Mark’s photos of Yes50 Live:
YMP Patrons:
Producers:
- Jeffrey Crecelius
- Preston Frazier
- VR Hoisington
- Bill Govier and
- Wayne Hall
Patrons:
Aaron Steelman | Dave Owen |
Mark James Lang | Paul Tomei |
Joost Maglev | David Heyden |
Martin Kjellberg | Paul Wilson |
Bob Martilotta | Lind |
Michael O’Connor | Peter Hearnden |
Brian Sullivan | David Pannell |
Miguel Falcão | Lobate Scarp |
Chris Bandini | David Watkinson |
Neal Kaforey | Rachel Hadaway |
Craig Estenes | Dem |
Paul Hailes | Mark ‘Zarkol’ Baggs |
Doug Curran | Robert Nasir |
Fergus Cubbage | Scott Colombo |
Fred Barringer | Scott Smith |
Geoff Bailie | Simon Barrow |
Geoffrey Mason | Stephen Lambe |
Guy R DeRome | Steve Dill |
Henrik Antonsson | Steve Perry |
Hogne Bø Pettersen | Steve Rode |
IanNB | Steve Scott |
Jamie McQuinn | Steven Roehr |
Ken Fuller | Terence Sadler |
Jeremy North | Tim Stannard |
Jim | Todd Dudley |
John Cowan | Tony Handley |
John Holden | Joseph Cottrell |
John Parry | Keith Hoisington |
John Thomson | William Hayes |
Barry Gorsky | Michael Handerhan |
Robert and David
Please subscribe!
If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything:
Subscribe with RSSSubscribe on Android
Listen on Stitcher
Theme music
The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from the following two creative commons sources: thanvannispen and archive.org
2 replies on “YES50 Live – first impressions – 392”
Another great show, with great reviews of the album. I also enjoyed this album.
I did notice the rushed opening of Awaken. Also, in Close to Edge, the first big organ part is not big. I remember that from the concert as well. The organ is supposed to be powerful and knock you back on your heels at least a bit. It doesn’t. Still everything sounds really good. Billy did a great job with the sound. (But I will definitely turn up the bass for the next listen.) And the package is lovely, too.
It’s what was not there that bugs me a little. On the tour, the band also played Heart of the Sunrise, Does it Really Happen, and Perpetual Change. They played these three songs at both Philly concerts. And, if you look at the set lists, the songs on Yes50 are out of order. So, we don’t get a sense of what the celebration shows were like in terms of song choice or the order they were played. (And, again, if you saw one of the shows, this issue is apparent.) I get that they were trying to fit things on vinyl, but still.
My final grouch is that the Philly concerts were a big deal, with Moraz up there as well as Kaye. I would have liked to hear at least some of the things Steve or Jon said to introduce the songs and the guests. (Once more, if you were at the shows, you know that they talked to the crowd — I especially remember Jon mentioning Chris before Parallels.) And, at the Philly shows, were there any special things said at the end, when 9 or 10 people were on stage? Maybe the banter usually gets edited out, but these were not typical shows.
So, I like what I got. I wish they’d just gone for it and issued 3 CDs (and 4 full LPs?). We’d all purchase it either way. Maybe there will be a concert DVD …?
As Yes live albums go it is a solid B/B+. Good not great. Could possibly have been a more enjoyable and more important in terms of the wider discography as a single cd with the five “warhorses” omitted.
1 x lp live albums were quite common back in the day, possibly more common than the doubles and triples. Sometimes less is more.
The package is fantastic and my greatest source of relief is that the snare is far further back in the mix than it was at the two Palladium shows. That Nile Rodgers / Lets Dance “thwack” isn’t what you want in this context when you’ve grown up with the Bruford “ping”!