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Produced by Ken Fuller, Wayne Hall and Jeffrey Crecelius
While we wait for Yes to begin their tour in Japan in September and following the end of Jon Anderson’s Close To The Edge tour, it’s comparatively quiet in Yes world at the moment. That certainly doesn’t mean we don’t have anything to talk about, of course. So this week Mark and I have been thinking about why Yes wanted the late and already desperately missed Alan White.
We have discovered or perhaps rediscovered some aspects of Alan’s early career which made him the perfect fit for Yes following the departure of Bill Bruford, very shortly before the beginning of the original Close To The Edge tour. It was an excellent discussion reminding us just how multi-faceted Alan’s abilities were so do keep listening for that.
- What about Alan White attracted Yes?
- What did Alan spend his teenage years doing?
- What recordings can we hear pre-Yes Alan playing on?
Take a listen to the episode and then let us know what you think below!
Peter D’Amore, featuring Billy Sherwood:
John Michels mentioned this video:
…and here are his photos:
Griffin featuring Alan White:
YMP Patrons:
Producers:
- Ken Fuller
- Jeffrey Crecelius and
- Wayne Hall
Patrons:
Aaron Steelman | Dave Owen |
Mark James Lang | Paul Tomei |
Joost Maglev | David Heyden |
Martin Kjellberg | Paul Wilson |
Bob Martilotta | Lind |
Michael O’Connor | William Hayes |
Brian Sullivan | David Pannell |
Miguel Falcão | Lobate Scarp |
Chris Bandini | David Watkinson |
Neal Kaforey | Rachel Hadaway |
Craig Estenes | Dem |
Paul Hailes | Mark ‘Zarkol’ Baggs |
Doug Curran | Robert Nasir |
Fergus Cubbage | Scott Colombo |
Fred Barringer | Gary Betts |
Geoff Bailie | Simon Barrow |
Geoffrey Mason | Stephen Lambe |
Guy R DeRome | Steve Dill |
Henrik Antonsson | Steve Perry |
Hogne Bø Pettersen | Steve Rode |
Declan Logue | Steve Scott |
Jamie McQuinn | Steven Roehr |
Alan Begg | Terence Sadler |
Michael Handerhan | Tim Stannard |
Jim | Todd Dudley |
John Cowan | Tony Handley |
John Holden | Joseph Cottrell |
John Parry | Keith Hoisington |
John Thomson | Barry Gorsky |
Robert and David
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Theme music
The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org
3 replies on “Why did Yes want…Alan White? Part 1 – 546”
Alan Price formed the Animals playing keyboards on House of the Rising Sun, long before Dancing Bear – not so minor . Perhaps not coincidentally he was from the same part of England as Alan White.
Aha! Thanks Ken – that’s good to know. What a small world it was back then…
Here’s a very rare photo of Happy Magazine circa 1968, from my collection!