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Episodes YMP Classic Feed

Meaningful Songs from The Word Is Live – 398

Produced by Jeffrey Crecelius, Wayne Hall, Preston Frazier and Bill Govier

Chris Squire in this amazing set
Chris Squire pictured in the booklet of The Word Is Live

This week Mark and I re-visit one of our favourite Yes collections, the box set, The Word Is Live. Hear our personal favourite songs and add your own to the show notes for this week.

Listen and let us know what you think!

  • What are your favourite recordings from this collection?
  • Do any of them have special meanings for you?
  • What do you think of the packaging?

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Show notes and links:

YMP Patrons:

Producers:

  • Jeffrey Crecelius
  • Preston Frazier
  • Bill Govier and
  • Wayne Hall

Patrons:

Aaron Steelman
Dave Owen
Mark James Lang
Paul Tomei
Joost Maglev
David Heyden
Martin Kjellberg
Paul Wilson
Bob Martilotta
Lind
Michael O’Connor
Peter Hearnden
Brian Sullivan
David Pannell
Miguel Falcão
Lobate Scarp
Chris Bandini
David Watkinson
Neal Kaforey
Rachel Hadaway
Craig Estenes
Dem
Paul Hailes
Mark ‘Zarkol’ Baggs
Doug Curran
Robert Nasir
Fergus Cubbage
Scott Colombo
Fred Barringer
Scott Smith
Geoff Bailie
Simon Barrow
Geoffrey Mason
Stephen Lambe
Guy R DeRome
Steve Dill
Henrik Antonsson
Steve Perry
Hogne Bø Pettersen
Steve Rode
IanNB
Steve Scott
Jamie McQuinn
Steven Roehr
Ken Fuller
Terence Sadler
Jeremy North
Tim Stannard
Jim
Todd Dudley
John Cowan
Tony Handley
John Holden
Joseph Cottrell
John Parry
Keith Hoisington
John Thomson
William Hayes
Barry GorskyMichael Handerhan

Robert and David

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Theme music

The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from the following two creative commons sources: thanvannispen and archive.org

Categories
Episodes YMP Classic Feed

Episode 28 – Yes Rarities Part 1 – ‘In a Word: Yes’

CD Box Set purchased 2004 (Click to enlarge)

The twenty-eighth episode of the Yes Music Podcast featuring the unique tracks from the compilation album, ‘In a Word: Yes’.

  • Should these tracks have been left on the cutting room floor?
  • Is it worth trying to find them?
  • Are they only of historical value?

Listen and see if you agree with me then let me know by leaving a comment or contacting me via the different routes on the right hand side!