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We go deep into the dead wax – 523

Produced by Wayne Hall and Jeffrey Crecelius

This week’s episode once again features our resident walking vinyl encyclopedia, Mark but this time I have a chance to pick his brains about the murky world of deadwax.

As you might imagine, I get out a couple of my copies of Tormato to see what I can find in the deadwax areas of those and Mark shares some fascinating insights into the production of Yes vinyl records.

Doug Curran also sent in an example of one of his Yes rarities for us to decipher and it was a real geek-fest!

  • What are acetates, test pressings and deadwax?
  • Why do Yes records have information hidden in the vinyl?
  • Is any of this any use? (Spoiler – yes it is.)

Listen to the episode and let us know what you think!

My Friday Music copy of Tormato:

My Test Pressing of Tormato:


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Tony Kaye at the Cinema sessions
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Producers:

  • Jeffrey Crecelius and
  • Wayne Hall

Patrons:

Aaron Steelman

Dave Owen

Mark James Lang

Paul Tomei

Joost Maglev

David Heyden

Martin Kjellberg

Paul Wilson

Bob Martilotta

Lind

Michael O’Connor

William Hayes
Brian Sullivan

David Pannell

Miguel Falcão

Lobate Scarp

Chris Bandini

David Watkinson

Neal Kaforey

Rachel Hadaway

Craig Estenes

Dem

Paul Hailes

Mark ‘Zarkol’ Baggs

Doug Curran

Robert Nasir

Fergus Cubbage

Scott Colombo

Fred Barringer

Gary Betts
Geoff Bailie

Simon Barrow
Geoffrey Mason

Stephen Lambe

Guy R DeRome

Steve Dill

Henrik Antonsson

Steve Perry

Hogne Bø Pettersen

Steve Rode

IanNB

Steve Scott

Jamie McQuinn

Steven Roehr

Ken Fuller

Terence Sadler

Michael Handerhan

Tim Stannard

Jim

Todd Dudley

John Cowan

Tony Handley

John Holden

Joseph Cottrell

John Parry

Keith Hoisington

John Thomson

Barry Gorsky

Alan Begg

Robert and David

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Theme music

The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

5 replies on “We go deep into the dead wax – 523”

Thanks guys for yet another amazing episode! Totally geeking out here! My copy of Tormato has “STRAWBERRY” etched in it. The other main identifier is “ST-A-78 4145A”. Can you tell me what these mean? Cheers!

Hello Screaming Doug,

Thanks for the kind words about the show.
The “Strawberry” that’s in the deadwax represents the recording studio that did the Lacquer cut for that pressing of Tormato. …which is Strawberry Studio in England.
The “ST-A-78 4145A” is either the catalog identification number for the album (which Atlantic Records would have given) or its the identification for the Lacquer metal parts.

Hope that helps.

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