Produced by Ken Fuller, Wayne Hall and Jeffrey Crecelius
This week, Mark and I have been enjoying listening to Night After Night, the live album from UK in our quest to discover why Yes wanted Eddie Jobson. Hear our views in a few moments’ time and add your own to the comments in the show notes for this week’s episode.
Did you see UK in either of their incarnations? What do you think of the 3-piece lineup without Bruford and Holdsworth but with Terry Bozzio? Did it work? Let us know.
- How does the 3-piece UK sound?
- Is the guitar missed?
- Is it all prog?
Take a listen to the episode and then let us know what you think below!
Facebook has just changed how pages work which means that I’ve had to establish a new place for us to post and discuss Yes-related happenings. It’s a new group entitled, rather creatively, YMP Discussion Group. For the moment it’s open to anyone to join but I’ll be adding rules and joining requirements when I have time. One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.
If you haven’t already done so, please sign up at tormatobook.com to the email newsletter. PRESALE IS UNDERWAY (for subscribers only)! If you sign up now, for free, you can have access to the newsletters you’ve missed. It really helps to know people are looking forward to reading the culmination of my decades of Tormato obsession.
- Ken Fuller
- Jeffrey Crecelius and
- Wayne Hall
|Mark James Lang
|Mark ‘Zarkol’ Baggs
|Guy R DeRome
|Hogne Bø Pettersen
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The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org