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Why Did Yes Want Trevor Horn – As Producer – Part 2 – 563

Produced by Ken Fuller, Wayne Hall and Jeffrey Crecelius

It’s time to enjoy listening to The Lexicon Of Love this week as we look for clues as to why Yes wanted Trevor Horn to return as producer for 90125. To be fair, that’s not an especially difficult task as his fingerprints are all over this brilliant, era-defining work of pop genius. It’s not prog but it’s glorious music.

  • What Trevor Horn influences can be heard on this album?
  • Is the production any good?
  • Is it obvious why Yes wanted Trevor back?

Also, it’s time to wish all listeners, Producers and Patrons all best wishes at this festive time of year. Whatever you celebrate in December or even if you don’t celebrate anything Mark and I hope you have a wonderful time as the year changes to 2023. Thank you for all your support and kindness in 2022!

Take a listen to the episode and then let us know what you think below!

Trevor Horn and his dog
Trevor Horn and his dog

Facebook has just changed how pages work which means that I’ve had to establish a new place for us to post and discuss Yes-related happenings. It’s a new group entitled, rather creatively, YMP Discussion Group. For the moment it’s open to anyone to join but I’ll be adding rules and joining requirements when I have time. One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.

https://www.facebook.com/groups/3216603008606331/


If you haven’t already done so, please sign up at tormatobook.com to the email newsletter. PRESALE IS UNDERWAY (for subscribers only)! If you sign up now, for free, you can have access to the newsletters you’ve missed. It really helps to know people are looking forward to reading the culmination of my decades of Tormato obsession.

Not final artwork or title – just me messing about with one of Jeremy North’s photos



YMP Patrons:

Producers:

  • Ken Fuller
  • Jeffrey Crecelius and
  • Wayne Hall

Patrons:

Aaron Steelman

Dave Owen

Mark James Lang
Paul Tomei
Joost Maglev

David Heyden

Paul Wilson
Martin Kjellberg
Bob Martilotta
Lind
Michael O’Connor
William Hayes
Brian Sullivan

David Pannell

Lobate Scarp
Miguel Falcão
Chris Bandini

David Watkinson

Neal Kaforey
Rachel Hadaway
Craig Estenes
Dem
Mark ‘Zarkol’ Baggs
Paul Hailes
Doug Curran

Robert Nasir

Fergus Cubbage
Scott Colombo
Fred Barringer
David
Geoff Bailie
Simon Barrow
Geoffrey Mason

Stephen Lambe
Guy R DeRome
Steve Dill
Henrik Antonsson
Steve Perry

Hogne Bø Pettersen
Steve Rode
Declan Logue
Steve Scott
Todd Dudley
Jim
Jamie McQuinn

Steven Roehr

John Parry
Keith Hoisington
Alan Begg
Terence Sadler
John Holden
Barry Gorsky
Michael Handerhan
Tim Stannard

Joseph Cottrell
John Thomson
John Cowan
Tony Handley
Robert

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Theme music

The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org